Stephen Cimini
American, b. 1949
Originally from the small town of Williamsport, Pennsylvania, Cimini wrestled with various art forms from wood constructed sculpture to conceptual environments before landing on abstract painting, something he loved from an early age. In 1994, he began developing the vocabulary for his current work, which originates from the linear landscape of Manhattan. It has since mutated to geometric spaces and their relationships to each other while still adhering to its architectural origins. His fascination with the mystery of color is also a vital aspect of his work. Building on the architectural origins, which have been the basis of Cimini’s work for over a decade, he has started referring to his compositions as random symmetry. Creating a balance on the canvas with no discernible pattern allowing a symmetrical, meditative composition to emerge. He employs the golden mean as a reference, which can often be seen in the composition. Using oil paint with a cold wax medium, layering the paint, as organic surfaces evolve within the restrained lines of the composition. Cimini’s color choices vary, sometimes deliberately creating a series with particular color decisions and sometimes allowing the color choices to impulsively appear fueled by intuition and experience. Color remains a constantly unfolding mystery.
2 artworks in Carter Burden Gallery

Out of This World
Material: Oil paint, old wax on Encaustiflex a microfiber materila made from recycled soda bottles mounted on a cradled panel
Size: 34 × 34 × 1 1/2 in | 86.4 × 86.4 × 3.8 cm
Price: US$2,500
Rarity: Unique

Shadow Work
Material: Oil paint, old wax on Encaustiflex a microfiber materila made from recycled soda bottles mounted on a cradled panel
Size: So Blue So Happy So Cool, Carter Burden Gallery
Price: US$2,500
Rarity: Unique
Shadow Work features a bold, organic form rendered primarily in black, with vibrant accents of red, blue, and yellow. The dynamic shape moves across an off-white background subtly overlaid with graph lines, suggesting structure beneath the surface. The 1.5-inch sides are painted a striking red, extending the energy of the …