Yeon Kyung Park

South Korea, b. 1995

5 artworks in Objecthood

Artwork: Dalmatian

Dalmatian

Material: Oil on canvas

Size: 10 7/10 × 8 7/10 × 2 in | 27.3 × 22 × 5 cm

Price: US$240

Rarity: Unique

As I pile up my work and mash it into canvas, I feel transported to a chance encounter—a fateful moment suspended within the canvas. I approach art not as a methodical process, but as a series of intuitive accidents. Each mark becomes a trace of something unplanned, yet somehow inevitable.

Artwork: Dalmatian

Dalmatian

Material: Oil on canvas

Size: 10 7/10 × 8 7/10 × 2 in | 27.3 × 22 × 5 cm

Price: US$240

Rarity: Unique

As I pile up my work and mash it into canvas, I feel transported to a chance encounter—a fateful moment suspended within the canvas. I approach art not as a methodical process, but as a series of intuitive accidents. Each mark becomes a trace of something unplanned, yet somehow inevitable.

Artwork: Still life

Still life

Material: Oil on canvas

Size: 45 7/10 × 31 9/10 × 2 in | 116 × 81 × 5 cm

Price: US$3,940

Rarity: Unique

As I pile up my work and mash it into canvas, I feel transported to a chance encounter—a fateful moment suspended within the canvas. I approach art not as a methodical process, but as a series of intuitive accidents. Each mark becomes a trace of something unplanned, yet somehow inevitable.

Artwork: Still life

Still life

Material: Oil on canvas

Size: 61 × 53 1/10 × 2 in | 155 × 135 × 5 cm

Price: US$7,080

Rarity: Unique

As I pile up my work and mash it into canvas, I feel transported to a chance encounter—a fateful moment suspended within the canvas. I approach art not as a methodical process, but as a series of intuitive accidents. Each mark becomes a trace of something unplanned, yet somehow inevitable.

Artwork: With the Flower

With the Flower

Material: Oil on canvas

Size: 55 1/10 × 39 2/5 × 2 in | 140 × 100 × 5 cm

Price: US$6,300

Rarity: Unique

As I pile up my work and mash it into canvas, I feel transported to a chance encounter—a fateful moment suspended within the canvas. I approach art not as a methodical process, but as a series of intuitive accidents. Each mark becomes a trace of something unplanned, yet somehow inevitable.